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I do love a good revenge story and Lattari delivers in this, her first thriller, Dark Things I Adore.
Audra is a beautiful and brilliant art student finishing her master's project under her mentor Professor Max Durant. As Audra's star is rising, Max's own star is fading. His reputation is based mainly on past accomplishments, something he fights against acknowledging. He is thrilled when Audra invites him to her home in Maine to review her thesis collection as he expects he will get her into bed. Unknown to Max, getting him to Maine is the culmination of a plan Audra set in motion years ago. Audra has very different expectations for how the trip will turn out.
The story has an intricate, interwoven structure. In the present, 2018, we have first person narratives from the viewpoints of Audra and Max. Then there is a first person narrative from 1988 by Juniper, an artist and staff member of an artist's retreat, The Lupine Valley Arts Collective where everyone is known only by their nicknames. Interspersed among these narratives are descriptions of paintings from Audra's collection which she calls Her Dark Things. Layered within the paintings are journal entries that read like poems. Whose journal? What's the significance of these journal entries, and how do they relate to the paintings? It must have been challenging for the author to connect three different narratives and the descriptions of art work and make these elements relate in a way that builds the story in a coherent manner. Lattari does it brilliantly.
I enjoyed the way Lattari revealed the characters through the eyes of the three narrators.
From the beginning we see that Audra is presenting two faces. One is that of the devoted protégé and one is the hidden face that shows the contempt in which Audra holds Max and her steely resolve to bring him down. Outwardly Audra presents herself the way one expects to see an artist. But there is more to her: she grew up a country girl in rural Maine and is very comfortable in the woods. Why does Audra hate Max? We find out gradually but the reader can easily deduce that something happened at the artist's retreat in 1988.
Max is a loathsome character living on his past glories. One of the worst aspects of his character is that he uses women. He draws inspiration from their pain, pain that he causes. The reader would want to see Max brought down for that alone.
Juniper's identity is held from the reader for much of the book. I didn't know who she was until the author revealed it. What we do know is that she was present when whatever happened at Lupine Valley went down. Actually, to be honest, an astute reader will be able to slot many of the pieces together by the first quarter of the book,. I just didn't do a lot of analysis as I read. If something popped out, it popped out.
Dark Things I Adore does have some plot elements that I found slightly contrived but let me quickly add that these did not distract from my great enjoyment in the book. Some of the events that take place when it kicks into full thriller mode are a bit improbable — very neatly choreographed but much could have gone wrong. There is a confrontation that takes place that I, the reader, wouldn't have had but it is entirely in the character of Audra to act that way. There is a twist that actually did occur to me that I'm not sure is entirely necessary but it is handled very deftly. If you're going to have a twist, this is a good example of one that doesn't smack the reader in the face.
Lattari has a real flair for writing thrillers with her character portraits and interwoven plot elements. I hope to see another thriller from her soon.
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